Dilwale Dulhania Le Jayenge Full Movie Download

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Running time 189 minutes Country India Language Hindi Budget 40 million Box office est. ₹1.22 billion Dilwale Dulhania Le Jayenge (English: The Big-Hearted Will Take Away the Bride), also known by the DDLJ, is an Indian, directed by (in his directorial debut), produced by his father, and written by with Aditya Chopra. Released on 20 October, the film stars. The plot revolves around Raj and Simran, two young, who fall in love during a vacation through Europe with their friends.

Raj tries to win over Simran's family so the couple can marry, but Simran's father has long since promised her hand to his friend's son. The film was shot in India, London and, from September 1994 to August 1995. Earning ₹1.06 billion (valued at about US$32,766,000 in 1995) in India and ₹160 million (valued at about US$4,946,000 in 1995) overseas, Dilwale Dulhania Le Jayenge became the highest grossing film of the year, and one of the most successful Indian films in history. It won 10, the most for a single film at that time, and won the. Its soundtrack album became one of the most popular of the 1990s. Many critics praised the film, which connected with different segments of society by simultaneously promoting strong family values and the following of one's own heart.

Its success led other film makers to target the non-resident Indian audience, which was deemed more lucrative for them. It spawned many imitations of its story and style, and homages to specific scenes. Dilwale Dulhania Le Jayenge was one of only three Hindi films in the reference book, and was placed twelfth on the 's list of top Indian films of all time. It is the longest-running film in the history of. As of 2018, over 20 years after its first release, it is still being shown at the theatre in.

as Raj Malhotra. as Simran Singh. as Baldev Singh Chaudhary, Simran's father.

as Lajwanti 'Lajjo' Singh, Simran's mother. as Ajit Singh, Baldev's friend in India. as Simran's grandmother. as Kammo Kaur, Simran's aunt. as Rajeshwari 'Chutki' Singh, Simran's sister.

as Dharamvir Malhotra, Raj's father. as Kuljeet Singh, Ajit's son. as Preeti Singh, Ajit's daughter. as Sheena, Simran's friend. and Arjun Sablok as Raj's friends Production Origin and scripting assisted his father, director and producer, during the making of (1989), (1991) and (1993). During this time, Aditya wrote several of his own scripts, including one he assumed would be his first film, but eventually became his second, (2000).

For three years, he worked on the story that would become Dilwale Dulhania Le Jayenge before approaching his father to direct it. Best apk app store. Yash did not want to, and tried to persuade Aditya to do it himself. As they were discussing ideas for the script, Aditya conceived the notion that Raj would seek permission for marriage from Simran's stern father, rather than eloping with her. He then became excited about the possibility of directing the film himself. After his mother, the playback singer, agreed that the idea was sound, he decided to make this his directorial debut.

Aditya wanted to make a wholesome film that people could watch repeatedly. He wanted to diverge from the typical plot line of the time, in which lovers run away when their parents object, and show that if their love was strong enough, the parents would eventually understand. In May 1994, Aditya read the first draft of the script to several members of the production team assigned to work with him, including a cinematographer, an art director and a dialogue writer. They were not impressed, but Aditya held fast to his ideas. He was given total editorial control by his father, the producer, and made the film according to his own tastes and sensibilities.

Aditya struggled with both the dialogue writer and the song lyricist to develop words that were 'young-sounding'. There were personal clashes over writing credits on the final script. Pamela's friend believed she deserved a writing credit that she did not receive, and Siddiqui believed Aditya did not deserve partial credit for the dialogue. After Dilwale Dulhania Le Jayenge, neither of them ever worked with Yash Raj Films again. After approving the script, Yash was consulted about the songs, but mostly left the creative process to his son, and has firmly denied that he was a ghost director on the project. He did not shoot a single frame, and did not even view some portions of the film until it was nearly completed.

Casting Aditya originally wanted the film to be about a relationship between an Indian and an American. He wanted for the role of Raj but was dissuaded by Yash, who did not want to use a foreign star. They decided their characters would be non-resident Indians (NRIs). Aditya approached Shah Rukh Khan to play the role of Raj. Shah Rukh was initially not interested because of the romantic nature of the role, having had success playing villainous roles. Aditya then asked to play the lead role because he was having problems persuading Shah Rukh to do it. Saif declined for unknown reasons, as did, causing Aditya to continue pursuing Shah Rukh.

Aditya and Shah Rukh had four meetings over several weeks; he finally persuaded Shah Rukh by telling him he could never be a superstar unless he became 'every woman's dream man, and every mother's dream son'. Since then, Shah Rukh has expressed his gratitude to Aditya for helping to make him a star with this film. Shah Rukh said that fellow actor also encouraged him to do the role, saying that he thought the film would be very successful. Shah Rukh has also noted the similarities in the film's script to his own relationship with before their marriage. Kajol was the first choice to play Simran, to which she quickly agreed; she was a good friend of Aditya. She and Shah Rukh had previously worked together in the successful films (1993) and (1995).

Kajol said her character was very difficult for her to relate to, whereas Shah Rukh said Raj's personality was very similar to his own. Aditya chose the name Raj for the character, and the mandolin that he played, based on his admiration for the actor. After a successful, Parmeet Sethi was chosen over for the role of Kuljeet Singh. In addition to his assistant director, Aditya asked for two additional assistants, his brother and his cousin. Johar also played a small role in the film as Raj's friend. Sharmishta Roy was the film's art director and was its costume designer.

While Malhotra had many new ideas, Aditya wanted to keep the clothing style simple; he did not want it to distract from the story. Despite this, Malhotra was responsible for the idea of Simran wearing a green dress in the song 'Mehndi Laga Ke Rakhna', an unusual colour for a Punjabi bride. The Church of Saint Grat in Montbovon, one of the filming locations in Switzerland Dilwale Dulhania Le Jayenge was filmed in several 5-, 10- and 20-day schedules between September 1994 and August 1995. The first sequence filmed was for the song 'Ho Gaya Hai Tujhko' with Kajol and Shah Rukh in Switzerland. The European journey scenes and songs were mainly filmed in, and, Switzerland. Other scenes were shot in England, at locations including,. Film's cinematographer, a regular collaborator with Chopra, shot the song 'Tujhe Dekha To', including the iconic mustard fields scenes with Shah Rukh and Kajol in the mustard fields in on the outskirts of the.

The cast faced difficulties while filming the final scene, which shows Simran running to catch the train on which Raj is travelling. The smoldering heat made it difficult to shoot and each time there was a retake, the train took 20 minutes to return. Was the choreographer throughout most of the production, but after several disputes between her and Aditya, she was replaced by near the end of the shoot. After the film's eventual success, Saroj apologised to Aditya for underestimating him, but she never worked with him again. Farah choreographed the song 'Ruk Ja O Dil Deewane', during which Aditya did not tell Kajol that Shah Rukh was going to drop her, as he wanted to capture her genuine reaction.

The film's title was suggested by actress; it came from the song 'Le Jayenge Le Jayenge', in the film (1974). The Raj character sings parts of this song during the story, and it recurs at the end.

Dilwale Dulhania Le Jayenge is believed to be the only Bollywood film with a 'Title suggested by' credit. The film has since become universally known by the acronym DDLJ. Towards the end of the, Shah Rukh had to split his time between this film and (1995), spending half of his day on each film. In early August 1995, when filming on Dilwale Dulhania Le Jayenge was not yet finished, a release date in October around the time of the festival was decided upon.

Composers Jatin and Lalit Pandit were given only 10 days to complete the background score, and the first copies were printed on 30 September. After filming was complete, Aditya decided to make a Hollywood-style documentary of the film-making process, which had not been done before in India.

Karan Johar and Uday were put in charge because they had already been recording some of the process. On 18 October, two days before the film's release, the 30-minute special Dilwale Dulhania Le Jayenge, The Making was broadcast on television. Themes Dilwale Dulhania Le Jayenge repeats the usual conservative agenda of family, courtship and marriage, but it proposes that Indian family values are portable assets that can be upheld regardless of country of residence. To prove this, Raj, an NRI who was brought up in London, is portrayed as the story's 'good guy', whereas Kuljeet, raised in India, is portrayed as the villain. This is a reversal of the roles in typical Indian films, which usually portray Indians as being morally superior to Westerners. Here, NRIs are validated as potential model Indian citizens. The story aims to capture the struggle between traditional family values and the modern value of individualism.

Although Raj and Simran want to be together regardless of her father's plans for her, Raj tries to win over his girlfriend's father rather than simply eloping with her. In this and other Indian stories, family values are ultimately considered more important than the romantic plot. Moral values and rules of conduct take precedence over individual desires.

The film implies that 'Indianness' can be defined by the importance of family life; whether at home or abroad, it is the Indian family system that is recognised as the social institution that most defines Indian identity. In Dilwale Dulhania Le Jayenge, the purity/sanctity of women is being related to that of the nation. In the scene after Raj and Simran spend the night together, and Simran is concerned that something happened, Raj tells her: 'You think I am beyond values, but I am a Hindustani, and I know what a Hindustani girl's izzat (honour) is worth.

Trust me, nothing happened last night.' This speaks to the Indian diaspora and their need to try and sustain their value system, and the man's responsibility to protect the Indian woman's sexual purity. In The Routledge Encyclopedia of Films, Ranjani Mazumdar says the film has a running theme of unfulfilled desires, which is exemplified by Raj's father telling him to enjoy life because his own was a struggle, and Simran's mother telling her to run away with Raj because she was unable to live her own dreams. Scott Jordan Harris, writing for 's website, says the film's popularity lies in its ability to effectively convey two opposing themes appealing to different portions of society. He said, 'It argues that we should follow our hearts and chase happiness wherever it leads, regardless of the obstacles in our paths, while simultaneously suggesting we should respect the ways of our elders, particularly our parents, and do nothing that challenges their will'.

Rachel Dwyer said the film was important for presenting marriage as an understanding between parents and children. While fighting the old tradition of the arranged marriage, it still encouraged the importance of seeking parental consent, even for a love marriage. According to Patricia Uberoi, Dilwale Dulhania Le Jayenge reiterates the theme of (1994) in a self-conscious manner while also linking it explicitly to the fact that the protagonists tend to remind themselves and each other of what it means to be an Indian. Music Dilwale Dulhania Le Jayenge. Shah Rukh Khan and Kajol celebrating 1000 weeks of continuous showing of Dilwale Dulhania Le Jayenge in 2014 In 2001, Dilwale Dulhania Le Jayenge overtook (1975), which had run for over five years at the Minerva theatre, as the longest-running film in Indian cinema history. It has been showing at the Maratha Mandir theatre (which was famous for having shown (1960) for three years) since its original release in 1995. There are often people in the audience who have seen the film 50 or more times, but still clap, cheer, mouth the dialogues and sing along with the songs, raising comparisons with (1975), the longest running film in America.

When a theatre strike in early 2011 threatened the film's uninterrupted run, the producer Yash Chopra contacted theatre owners to try and ensure the film would continue. He hoped the film would continue to run for at least 1,000 weeks, which it achieved in December 2014. To commemorate the event, cast members including Shah Rukh Khan, Kajol, Anupam Kher, Farida Jalal, Mandira Bedi and Pooja Ruparel appeared on the television show. Shah Rukh Khan, Kajol and director Aditya Chopra also attended a live chat with fans and a black tie event at the theatre on 12 December. The same day, they launched a coffee table book written by Aditya Chopra about the making of the film. Also in December, Yash Raj Films announced the availability of a collection of commemorative, licensed merchandise from various suppliers to mark the event.

The Maratha Mandir's management ended the film's run after 1,009 weeks on 19 February 2015 because of low attendance (the last show was viewed by 210 people). However, after an outpouring of support from fans, and talks with the production company, they decided to reinstate the film. Influence. Kajol and Shah Rukh Khan in the climactic train scene Dilwale Dulhania Le Jayenge spawned many imitators of its story and style, especially throughout the 1990s. According to the Encyclopaedia of Hindi Cinema, it and a handful of other films and young directors started a trend for 'designer' films. The authors said that these were 'a carefully packaged and branded product in which every little visual and physical detail. Is of utmost importance'.

In Bollywood's Top 20: Superstars of Indian Cinema, said Dilwale Dulhania Le Jayenge 'reinvented Bollywood romances so decisively that we can neatly divide them into two eras—before DDLJ and after DDLJ'. Yash Raj Films was previously known for using locations outside India for in its films. Dilwale Dulhania Le Jayenge started the trend for films designed to appeal to the Indian diaspora, which have foreign locations as integral parts of the story.

The characters are themselves diaspora and tend to be able to move with ease between India and the West. Some later films that followed this trend include (1997), (2001), (2003), (2005), (2005) and (2006). Dilwale Dulhania Le Jayenge became the first Hindi film blockbuster to feature NRIs as main characters.

It helped to establish the diaspora market as a vital source of revenue for the industry; that market was seen as a safer financial investment than the market. Several later films have paid homage to Dilwale Dulhania Le Jayenge. The Karan Johar-produced (2014) was directly inspired by it. The films (2007), (2011), (2011), (2013) and (2013) include scenes similar to the climactic train sequence, wherein a woman is running to catch a moving train and is helped aboard by a man with his outstretched arm. The British film (2008) contained a similar train scene, and its final dance sequence was partially shot at the same railway station as the Dilwale Dulhania Le Jayenge finale. Impact Audiences appreciated the screen chemistry between Shah Rukh Khan and Kajol, who later worked together in several successful films including (1998), (2001), (2010), and (2015), and are often referred to as Indian cinema's most loved on-screen couple.

Shah Rukh Khan credits this film with making him a star, and says it 'changed the entire scene for romantic movies of the 90s'. During an interview in 2002, he said 'Whatever I'll stand for as an actor, in the whole of my career, whenever it ends, it will start with and end at Dilwale'. The actress Farida Jalal said the film gave her career a boost, saying she got many offers and 'could quote any price'. It also helped the young careers of Pooja Ruparel, who received advertising offers, and of Sharmistha Roy. The British Film Institute (BFI) commissioned a book about Dilwale Dulhania Le Jayenge. It was the first Hindi film chosen for a series of studies on international films, called 'BFI Modern Classics'.

The author was Anupama Chopra and the book was released in 2002. It was reissued in paperback by Harper-Collins as Dilwale Dulhania Le Jayenge: The Making of a Blockbuster in 2004.

After an unexpectedly long delay, the film was released on DVD by Yash Raj Films in 2002. The release included The Making and 300 Weeks Celebration documentaries, Success Story (highlights from the film's premiere), clips from the ceremony and other interviews. In 2006, members of the film crew were honoured at a dinner event to celebrate the film's 500th week since release. It was hosted by the Consulate General of Switzerland in Mumbai and by Switzerland Tourism.

In 2010, Yash Raj Films signed an agreement with Indian and Swiss tour companies to provide a tour package called 'YRF Enchanted Journey', to allow visitors to Switzerland to view filming locations used for famous Yash Raj films including Dilwale Dulhania Le Jayenge. In 2014, Yash Raj Films released Aditya Chopra Relives. Dilwale Dulhania Le Jayenge (As Told to Nasreen Munni Kabir), an attractive but expensive book about the making of the film. In response to Indian prime minister quoting the line 'May the force be with you' from the American film franchise during a visit to the US, President decided to quote a line from a Hindi film during his visit to India in January 2015. He chose a line from this film, ' Senorita, bade bade deshon mein.'

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Dilwale Dulhania Le Jayenge Full Movie Dailymotion

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Dilwale Dulhania Le Jayenge Full Movie Download In Dailymotion

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6 (1): 58–81. External links.